TIFF 2024 Review: Paying For It – “At times exceedingly awkward and at times tender.”
At the beginning of Sook-Yin Lee’s newest film Paying For It, Sonny (Emily Lê), who is laying in bed next to her partner, Chester (Dan...
Read MoreTIFF 2024 Review: Nightbitch – “we all need to feel the freedom to run free”
“What fresh hell awaits you today?” Amy Adams’ character (known simply as Mother) asks herself in the mirror. And...
Read MoreTIFF 2024 Review: Sharp Corner – “the performance of Ben Foster is riveting”
At one point in Sharp Corner, Cobie Smulders’ character, Rachel describes Ben Foster’s Josh as “smug.” Never...
Read MoreTIFF 2024 Review: Bird – “Nykiya Adams is an absolute powerhouse.”
“Mum said I was born looking for trouble,” Bailey (Nykiya Adams) says in Andrea Arnold’s latest, Bird. And yet,...
Read MoreTIFF 2024 Review: Daniela Forever – “a high concept film that doesn’t quite stick its landing.”
When Nick (Henry Golding) suddenly loses this girlfriend, Daniela (Beatrice Grannò) in a tragic accident he is overrun with grief. And...
Read MoreTIFF 2024 Review: Oh, Canada “had a lot to say about regret and redemption”
I had a run where the first movie I was seeing at a festival ended up being my favourite. Call Me By Your Name, CODA, Anatomy of a Fall...
Read MoreTIFF 2024 Review: Do I Know You From Somewhere? – “a gem of a film.”
A day one screening for me at the 2024 Toronto International Film Festival, and of the four films I watched that day this was my...
Read MoreReview: The Holdovers – “I’m left with a smile on my face and a yearning to watch it again.”
There are some movies that enter your life and you know immediately you’ll want to re-visit them. They may even make it into your regular...
Read MoreTIFF 2023 Review: Origin – “Highly recommended.”
In 2020 Pulitzer Prize winning writer Isabel Wilkerson released her latest book, Caste: The Origin of Our Discontent. It became a #1 New...
Read MoreTIFF 2023 Review: Backspot – “Devery Jacobs leads with a confident portrayal”
Not as flashy as, say, Bring it On, not as bleak and dark as 2021’s The Novice, director D.W. Waterson’s Backspot lays somewhere in...
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