Writer-Director Chandler Levack on ‘I Like Movies’
A note before this article. This interview took place September 2022 during the Toronto International Film Festival. As this website is...
Read MoreReview: The End of Sex – “Fresh and charming”
Relationships go through many natural transitions. In the beginning, hormones are running high. That honeymoon phase is full of passion,...
Read MoreTIFF 2022 Review: Bros – “It has undeniable universal appeal”
There’s a scene in Bros where Billy Eichner’s character, Bobby, has a monologue outlining all the discrimination that he has had to...
Read MoreTIFF 2022 Review: Prisoner’s Daughter – “A pretty straightforward family drama”
Not having heard from her father, Max (Brian Cox) for over a decade, Maxine (Kate Beckinsale) is surprised, and not particularly happy, to...
Read MoreTIFF 2022 Review: Paris Memories – “A character-driven film that is crafted with care and sensitivity”
On November 13, 2015 in Paris a series of co-ordinated attacks by terrorists killed 130 people. Director and co-writer Alice...
Read MoreTIFF 2022 Review: Causeway – “A sensitive and significant portrayal of the different ways we deal with trauma and grief”
When Lynsey (Jennifer Lawrence) went to Afghanistan as part of the US Army Corps of Engineers she didn’t expect to return home this...
Read MoreTIFF 2022 Review: Empire of Light – “Beautiful and elegant”
It’s 1980, on the verge of ’81, in a town on the southern coast of England. Across from the ocean, stands The Empire, a beautiful old...
Read MoreTIFF 2022 Review: Women Talking – “Sarah Polley’s masterpiece”
Note: The following review has mentions of sexual abuse and violence “What follows is an act of female imagination,” states a...
Read MoreTIFF 2022 Review: The Good Nurse – “Intense and thought-provoking”
Adapted by Krysty Wilson-Cairns (Oscar nominated for 1917) from a book by Charles Graeber, The Good Nurse tells the true story of Charles...
Read MoreTIFF 2022 Review: What’s Love Got to Do With It? – “An elevated and welcome new slant on the rom-com genre”
In the tradition of Richard Curtis British rom-coms like Four Weddings and a Funeral and Love Actually comes What’s Love Got to Do...
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