London Film Festival Review: The Meyerowitz Stories – “Tales well told”
Dustin Hoffman found himself stepping in to defend Noah Baumbach when the writer/director was (I suspect, not for the first time) asked if...
Read MoreLondon Film Festival Review: Michael Haneke’s Happy End – “Fills us with voyeuristic guilt”
Sometimes it is necessary to read other reviews prior to writing one. The fear of accidental plagiarism is overruled by the desire to...
Read MoreLondon Film Festival Review: Stronger – “One man’s experience of triumph over adversity”
Boston. Home of a much-mimicked accent, the ducks, major sports teams and the place where everybody knows your name. It is a city that has...
Read MoreLondon Film Festival Review: Loveless – “A haunting, difficult watch”
“On with the song,” says a character in Loveless, inexplicably aiming for levity but failing to land, as he stumbles through a...
Read MoreLondon Film Festival Review: Gemini – “Thrilling, suffocating, and moody”
Gemini starts with a black screen, then cuts to a girl holding an iPhone in a car, moonlight catching her face, as psychedelic electronica...
Read MoreReview: The Glass Castle
Biopics don’t always make it to screen, especially if producers consider a plot to be far-fetched. But now that...
Read MoreRaindance 2017 Review: Hello Again
One person’s titillation is another’s disgust – a theme applicable throughout the ages. Watching Hello Again was an...
Read MoreThe Most Underestimated Character in Game of Thrones
Nymeria. Nice name for a sand snake, even nicer name for a direwolf. Before your eyes glaze over, no neither of the Nymerias are the most...
Read MoreReview: Baby Driver is all throttle no drag
Very few directors can orchestrate an opening scene like Edgar Wright. Baby Driver starts with a heist, a heist timed to music. Such...
Read MoreWhat to watch in a Post-Election/Comey World
The current political climate is very exciting…it’s also fractious with the world seemingly in disarray. The good news is that...
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