Review: A Monster Calls
It was 9 am in the morning last October when I saw A Monster Calls at the BFI London Film Festival’s press screening and despite the early...
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James Schamus talks about his directorial debut, Indignation
Right before meeting Mr. James Schamus, I got overwhelmed with the eponymous “never meet your heroes” myth. After all, it’s hard not to...
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Review: Indignation
It is a mere coincidence in the UK theatrical distribution calendar, yet an interesting one nonetheless, that within the span of a week,...
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Review: American Pastoral
Preposterous comments about big stars and their hitch to transition behind the camera simply don’t apply to American Pastoral. Despite...
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Review: I, Daniel Blake – “As important and powerful as cinema can get”
It is hard to imagine the British film industry in the current sociopolitical climate without the contribution of Ken Loach’s...
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2016 London Film Festival Review: Paterson
Jim Jarmusch’s cinema has never been renowned to draw mainstream audiences yet here’s to hope that casting one of Hollywood’s...
Read MoreDVD Review: Equals
One of the most interesting filmmakers working today in American independent cinema, Drake Doremus returns with Equals, a sci-fi dystopian...
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Alex Lawther talks to Live for Films about Departure
It almost feels kind of reductive to call young British thespian Alex Lawther a rising star. When you start off your career in a David...
Read MoreReview: Free State Of Jones – “A gripping, thought-provoking and eerily current piece of epic cinema”
Back when I’d learned that freshly appointed Oscar winner Matthew McCounaghey was going to star in a civil war drama from multi...
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Blu-ray Review: Green Room
In 2013, with his incredibly taut revenge thriller Blue Ruin Jeremy Saulnier was hailed as a new, exciting genre auteur in the American...
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