LFF 2020 Review: 200 Meters – “The pace of the film rarely lets up”
Director Ameed Nayfeh’s feature-length debut, 200 Meters tells the story of Mustafa (Ali Suliman), a Palestinian family man who lives...
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Director Benjamin Ree talks to Live for Films about The Painter And The Thief
Benjamin Ree’s new documentary The Painter And The Thief is currently showing at the London Film Festival. You can read my review here....
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LFF 2020 Review: Siberia – “A provocative piece of art”
Siberia is the sixth and latest collaboration between Willem Dafoe and writer/director, Abel Ferrara. Dafoe stars as Clint, a man who has...
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LFF 2020 Review: The Painter And The Thief – “A brilliant documentary”
The Painter And The Thief is a documentary by Benjamin Ree. It follows the story of Barbora Kysilkova, a Czech artist living in Oslo....
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Review: Enola Homes – “A movie that multiple generations can sit down together to enjoy”
Enola Holmes is a new adventure film starring Millie Bobby Brown (Stranger Things), Henry Cavill (Man Of Steel, Mission Impossible:...
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Late To The Party: À bout de souffle – “Effortlessly cool and stylish”
Late To The Party is a series of reviews ranging from classical masterpieces to modern-day blockbusters where I look to make my confession...
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Review: Savage – “A brutal and unflinching film”
Savage is Sam Kelly’s directorial feature-length debut. It tells the story of Danny, a senior member of the New Zealand based Savages...
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Review: Solitary – “Inventive and impressive visuals”
Solitary is the feature-length debut for Writer / Director Luke Armstrong. This sci-fi thriller is set in 2044, where the Earth’s...
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Late To The Party: Sorcerer – “Brilliantly bold and heart-stopping”
Late To The Party is a series of reviews ranging from classical masterpieces to modern-day blockbusters where I look to make my confession...
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Late To The Party: To Kill A Mockingbird – “As relevant today is it was when it was released”
Late To The Party is a series of reviews ranging from classical masterpieces to modern-day blockbusters where I look to make my confession...
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